Brent Bukowski | Opening Reception: August 25th - 6 pm to 9 pm| Artist Talk: November 10 - 7 pm

Sandra Sawatzky | Opening Reception: August 25th - 6 pm to 9 pm| Artist Talk: August 26th - 1 pm

The images feel like ethereal encounters. Some appear like spirits or ghosts while others feel familiar yet unknown. Many characters exist as singular portraits living within a greater constellation of beings that transfer feelings into the surrounding space. These feelings create an emotional tapestry connecting the artwork to the viewer, the viewer to the space, and viewers to each other. Though the characters appear in physical form, it is less about the portraits and more about what is contained within them. Katie Green's exhibition will be in the Central Gallery from May 6th to August 12th.

Reid says that he paints from rather than on. His subject since the 1950s has included the figure. A transformative eros of man and/or woman combined with landscape came later but that is what he paints from. He says his arm knows what to paint more than his head does. He states in his memoir that he wants his work to look “unlaboured, clear, confident, controlled,”[2] and tries always for urgency and fluidity in the execution.

Since 1994, Tsuneko’s practice has been based around her home in Silverton, BC. While it has been deeply influenced by the local ecology and a connection to the landscape, themes of displacement, belonging, and interconnectedness are woven throughout. Known for her vibrant paintings, performance pieces, set design, and choreography, this exhibition features a selection of Tsuneko’s work across all media. Tsuneko Kokubo's exhibition will be in the Reid Gallery from May 6th to August 12th.

Monument 83 is the name given to a peak located along the international border of Canada and the United States. Situated in a subalpine clearing of E.C. Manning Park in southwestern British Columbia, Monument 83 is notable for its location as a fire lookout site.

Offering an intimate glimpse into the nuanced identities of Mexican migrant workers that work in the farms of Interior BC, Rocio Graham shares her own experience of uprooting herself and re-negotiating her identity. Growing roots from shared dreams presents work that is deeply rooted in ritual ceremony, performance, and relationality.

Work in Progress presents a selection of previously un-exhibited works from the Gallery 2 Permanent Collection. The move of the collection into new lateral art racks has revealed the full breadth and depth of the collection – from very large paintings to very small prints and everything in between. See work by William Featherston, Joe Fafard, Michael Morris, Nancy Boyd, and more.

Illuminated Collapse merges figure and ground to highlight human connection to the surrounding world. In these sculptures, unsettling dioramic scenes unfold on the surface of circular, wooden plinths. Anthropomorphic landscapes are engaged in dramatic acts of self-consumption and destruction, projecting a metaphorical End of Times narrative. Mirroring our own world through their miniature elements, the works reflect on contemporary consumption, industrial development, and inherent environmental degradation.

Monique Martin creates gallery installations involving thousands of intricately screen-printed and hand cut paper objects. Meticulously detailed individual pieces merge into a larger whole; the sum is greater than the individual parts. In this exhibition, thousands of paper dandelions, entitled Context is Everything, coexist with Annus Mirabilis, a newer body of work depicting paper butterflies. There is no distinct line between the two works, the butterflies spill off of the walls and throughout the field of flowers across the gallery floor.